Section 1: Picking the Best High-Def Video Format
01. Introduction
02. HD Video Formats
03. Image Sizes
04. Interlaced vs. Progressive Video
05. Choosing Between Interlaced and Progressive
Section 2: Improve Your Shooting in High-Def Video
06. Minimizing Camera Movement
07. A Production Secret
08. Focus and Depth of Field
09. Using Lens Filters
10. Make-up
11. Framing and Camera Angle Tips
12. Video Frame Rate
Section 3: Tips to Improve Your Audio
13. Don’t Use the Camera Mic
14. Watching the Audio Levels
15. About Audio Cables
16. Using Quality Microphones
17. Recording Technique Tips
18. What Type of Microphone to Use
19. Other Audio Recording Tips
Section 4: Tips to Improve Your Lighting
20. Indoor Lighting Overview
21. Outdoor Lighting and Light Types
22. Lighting Summary
23. One More Trick
Section 5: The Art of Editing
24. The Story
25. Tips on How to Build Your Story
26. Editing Tips
Section 6: Getting Organized for Editing
27. Planning and Organization
28. Hardrive Options
29. File Naming Structure
30. Project Organization
Section 7: Choosing a HD Camera
31. Camera Price Range and Lenses
32. Video Format and Sensor Types
33. Tripods and Tripod Heads
34. Renting Gear
Section 8: Shooting 24 fps Video... Why?
35. Tripods, Progressive Video and Light
36. Depth of Field and Lens Filters
37. Achieving a Film-Like Look Summary
Section 9: Picking the Right Microphone
38. Three Types of Microphones
39. Microphone Characteristics and Frequency Response
40. Wireless vs. Wired
41. Microphone Recommendations
Section 10: Lighting with Softlight
42. Lighting and Color Temperature
43. Types of Lights
44. Brands and Reflectors
Section 11: Creating Video for the Web
45. Importance of a Master Copy
46. Image Size Reduction and Aspect Ratio
47. Considering Text and Compression Tips
48. More Compression Tips
Section 12: Picking the Best HDV Format
49. HDV’s Strengths
50. Image Size and Progressive vs. Interlaced
51. HDV Frame Rates and Larry’s Tips
52. Small Screen vs. Big Screen
Section 13: Choosing a Camera
53. Industry Trends
54. Ergonomics, Interchangeable Lenses and Color
55. Lenses, External Timecode and Resolution
56. External Audio and Manual Controls